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6-27-2006


from American Gothic

If you're in the know when it comes to dark, atmospheric fetish erotica, then you probably already know Carlos Batts. His photography is well known among the feterati, from the stylish pinups of Wild Skin and Crazy Sexy Hollywood to the gothic collages of American Gothic. He's also a videographer, with his recent Alter Ego a collection of erotic video vignettes showcasing the sexy FattyD, aka April Flores.

Already an experienced commercial videographer, Batts is now leaping with both feet into the world of independent video production. His three new titles, The Exhibitionist, Crazy Sex, and American Gothic, kept me occupied for a sexy, bewitching and mind-bending afternoon.

The Exhibitionist stars Celeste, Christa Faust, Jayla and Patricia as the long-distance fixation of voyeur Brett Rockman. The setup is simple: Rockman is watching while Faust and her playthings tease and taunt him from afar. The film starts with a show tease as Rockman watches gorgeous domme Faust posing in a window, tempting him. That blends seamlessly into Faust's scene with delicious Celeste. Faust informs her that she's nothing but a fantasy, performing for the nameless voyeur. Celeste complies, turning herself into the perfect fantasy as she masturbates on a bed while Faust watches. Then Christa straps one on and fucks Celeste vigorously -- this is some of the best strap-on play I've ever seen.


from Crazy Sex

from Crazy Sex
The next scene features Rockman through a window watching as shaved and pretty Jayla undresses, touches herself and verbally teases him. The scene of masturbation builds slowly and tenderly, feeding on the energy of voyeurism as Jayla recites a confrontational litany of humiliation. Next, gorgeous and brazen, corset-clad Cassandra fingers herself in a bathroom mirror, getting progressively more aroused until Faust discovers her and, with classic sternness, smacks her on the ass. Cassandra is subjected to tight breast bondage by Faust, intercut with scenes of her finishing her wank session later -- with an exceedingly large toy. Faust's hot companion Patricia, clad in fishnets, services herself as she watches Patricia's bondage and discipline scene.

For the DVD's final segment, Jayla returns, making good on her earlier taunting by getting busy with Rockman and taking him all the way -- first orally, then in a slow, powerful fuck that takes the video well into hardcore status. It's a rousingly effective finish thanks to the long, teasing build-up. Fans of voyeurism, teasing, female pleasure, bondage or just plain hot chicks will love The Exhibitionist.




from The Exhibitionist
The next two Batts titles I reviewed are much less traditional. First, Crazy Sex is an experimental collage of hardcore fetish erotica scenes. It stars Gia Regency, Selena, Bruce Payne, Ted Hunter, Ruby Switch Blade, Neptune, Gede Mas X, Azreal, Domiana, with Slain Wayne doing the voice over and four actors credited only as "Mask #1," "Mask #2," and "Twins." With a soundtrack of intense metal, punk and techno, it is about as dark as erotic has ever gotten and will delight those lovers of intense fetish erotica who aren't afraid to watch some serious BDSM.

Starting out with a very kinky scene in a mechanical workshop with the female bottom, Gia Regency, bandage-clad and blindfolded, it then throbs through over two hours of intensely impressionistic images, without a traditional narrative but with the recurring characters, visuals and sexual obsessions providing the unifying themes.


from Crazy Sex
Our bandage-clad hottie returns for more complex restraint in an industrial setting, and the results will delight anyone who loves complicated bondage with a medico-industrial theme. A pair of rapturously delicious corset-clad bondage twins end up in a bathtub drenched in milk and rose petals, and their intensely sensual scene is exquisitely erotic and bewitchingly real. A fishnet-shrouded, collared vixen makes out with a mannequin's head on a silver-draped bed, displaying her improbably high heels with gusto. Another bondage scene features an array of nude and latex-clad hotties, and we close with an intense clamping, piercing, cutting and terror scene featuring none other than Christa Faust, this time heavily into some serious bottom space. It ends this decadent madness with a scream.

There's enough teasing, taunting and dark erotic menace to lend Crazy Sex an intensely dangerous edge, made that much more intense by the fact that it combines hardcore bondage, spanking and flogging with explicit sex. Crazy Sex has already drawn comparisons to JG Ballard, Jan Svankmeyer, Marilyn Manson and low-budget sci-fi movies. But it's more than just an experimental freakout; the juxtaposition of images is as interesting as it is jarring, and prurient interest abounds. Effortlessly mingling the gothic with the vulgar with the beautifully obscene, Crazy Sex is as goth as it gets, a dark erotic menagerie that goes, esthetically speaking, where neither fetish erotica nor hardcore porn have ever gone.


from The Exhibitionist

from Crazy Sex
As if Batts knows he's pushed the very edge, he closes off Crazy Sex with a charming post-credits PSA from the blood-clad Faust and her partner, reminding viewers that the performers in Crazy Sex are trained professionals and they should always play safe, sane, and consensual. Believe it or not, even after two-plus hours of fetish madness, it doesn't come across as sarcastic. That's what I love about Carlos Batts -- he is drop-dead earnest, despite having a vicious sense of humor and a ravenous appetite for perversity. This is "serious" art -- that is to say, sexual performance of the type that makes people laugh, cry and freak the fuck out. Crazy Sex is extremely dark, thrillingly dangerous, enticingly erotic and -- there's no getting around it -- a hell of a lot of fun.

Last, but far from least, American Gothic is a short experimental horror film that draws its inspiration from the classic painting that spawned Batts' book of the same name. Batts imagined that the night before the Grant Wood's rendition of what would become his classic 1930 painting American Gothic. He is, therefore, trapped in his panting ever. His daughter, a spinster, descends into multiple personality disorder. Ultimately, this collection of images with its experimental approach to narrative prove as arresting as the fetish indulgence of Crazy Sex or the traditional erotica of The Exhibitionist. The exception is that there's no explicitly erotic element here; nonetheless, the textures and Batts' visual sensuality make it a lovely treat for fans of extreme and experimental horror. Also included are three of Batts' other short films: "Puppadere," "Choke," and "Clone," each of which features Batts' introduction. "Puppadere" grew out of Batts' obsession with dead animals; "Choke" is the straightedge Batts' 1993 PSA against smoking -- no joke! -- and "Clone" grew from Batts' interest in using text, sound and images together.

If I'd harbored any doubt that Batts is one of the most talented visual artists out there, I lost them somewhere in the milk-and-rose twin bath in Crazy Sex. If you're the type of kink fan who looks for the edge, you've found it -- Batts is working without a net, and the results are wickedly satisfying.

Both The Exhibitionist and Crazy Sex can be purchased from Carlos Batts' website. American Gothic can be purchased at Amazon.com.

The Exhibitionist, Crazy Sex and American Gothic - by Johnny Homicide Top of the Guide

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